Ladybird Jenkins, The Quiet Has Changed
Literary speculative novella
When a woman who helped invent humanity’s escape from death abandons immortality to live quietly in 1930s France, the future she fled comes calling. As a temporal fracture threatens the survival of a disembodied civilization, she must decide whether saving humanity is worth losing the last thing she has left, her embodied self.
At a glance
Complete, in structural revisionBook jacket summary
Ladybird Jenkins is living under an assumed name in pre war Normandy, carefully cultivating a life of ordinary sensations. Bread, ink, fabric, weather. After centuries of existence, she has chosen a fragile, finite peace over the immortal system she helped build, a future where death was defeated by abandoning the body, and meaning slowly starved as a result.
For six years, she has refused to return. But the system has not forgotten her. When a critical fracture threatens the temporal projection network that preserves humanity’s curated past, Ladybird is summoned back into service. The anomaly is technical, impersonal, and urgent. She is uniquely qualified to fix it, and uniquely aware of the cost.
Returning means reintegration, surrendering autonomy, and risking the erosion of the very identity she escaped to preserve. Her hesitation deepens when she is sent on a final observation mission to 1899 Colorado Springs, where Nikola Tesla, unaugmented and unintegrated, is quietly perceiving the same underlying structure of reality that would one day become the immortal network.
Tesla represents a future that never happened, one where humanity might have learned to listen instead of upload. As war closes in on Europe and the future presses harder, Ladybird must confront the truth she has been avoiding. Survival without embodiment may not be life at all, but refusing to act may condemn countless minds to fragmentation.
Plot summary
Ladybird Jenkins, once an architect of humanity’s escape from death, chooses the radical act of returning to a body. She hides in 1930s France, building a small life from sensory proof. When the immortal network begins to fracture, the system calls her back with a problem only she can solve.
The work is urgent and the price is personal. Returning means being absorbed again, and absorption is a slow kind of erasure. On an observation mission to 1899, she encounters Nikola Tesla at the edge of a discovery that points toward a different future, one where humanity might have remained embodied and still become vast.
As Europe closes toward war and the future tightens its demands, Ladybird must decide whether to sacrifice her hard won embodiment to stabilize the network, or to refuse and let the immortal civilization collapse into fragmentation.
Selected excerpt
working draft excerptLadybird Jenkins woke before the bells. She always woke before the bells.
The village did not know her as Ladybird Jenkins. Here, names were softer, smaller, meant to disappear into daylight without leaving a shadow. She had chosen one that fit in the mouth like bread. A practical name. A name that belonged to a woman who could be overlooked.
The window above the sink was fogged at the edges, the glass sweating from the difference between warmth and winter. She wiped a circle clear with the side of her hand and watched the gray sky press itself against the roofs. Normandy was a place of muted endurance. Stone. Damp wood. Wool. The smell of soot living in the seams of things. It was not beautiful in the way paintings promised, but it was honest. It did not seduce her, it simply existed.
She liked that.
The kettle was heavy. The stove took patience. She moved slowly, not out of sleepiness but out of reverence. To move without urgency was a kind of rebellion. She had lived too long in places where time was a weapon, where every second was measured, where attention could become a leash.
She wanted to be ordinary. She wanted to be a woman whose hands were stained with ink from a pen, not from carbon residue and interface oils. She wanted to be a body that could ache and recover. A body that could bruise.
There were days when she still reached for the old reflexes. A phantom system within her mind would attempt to unfold. A thought would begin to shape itself into a protocol. A sensation would try to translate itself into data. And she would stop it. She would force the thought back down into the muscle where it belonged.
The body was a language she was still relearning.
On the table sat the bread she had bought yesterday, wrapped in brown paper. It was already a little stale at the edges. She pressed her finger into the crust. It resisted, then gave. Such a small thing. Such a normal thing. The part of her that used to oversee the architecture of humanity’s escape from death wanted to laugh at how much she treasured it.
But she did treasure it.
She had built a future where bread was unnecessary. Where eating became ceremonial at best, nostalgic at worst. Where hunger was removed like a defect, and with it the holy urgency that kept people tethered to the present.
The disembodied civilization called it refinement. The end of need. The end of waste. The end of pain.
They did not call it what it was.
A slow starvation of meaning.
In the immortal network, the senses were simulated. Pleasant, customizable, sterilized. You could dial the scent of rain up or down. You could taste strawberries without ever touching a berry. You could experience warmth without ever being cold. It was a paradise built out of options.
Options were not the same thing as life.
Ladybird poured water into the kettle and listened to it slosh. She listened because listening mattered. In the network, sound arrived as a clean feed, instantly labeled and filtered. Here, the world was messy. Sound arrived with distance and echo. Sound was imperfect. Imperfection was proof.
A cart rattled past outside. A dog barked once, not in alarm but in commentary. Somewhere, a door closed and the wood complained in its joints. She felt the cold through the floorboards even though she wore wool socks. The cold climbed into her bones the way truth climbed into her mind.
She wrapped her hands around a mug and waited for heat. Waiting was a skill the future had eliminated. Waiting implied you were not in control. Waiting meant you had to sit inside your own mind without distraction. Waiting meant you could hear yourself.
She had fled because she could not hear herself anymore.
When the network had been completed, they had celebrated. They had called her brilliant. They had called her necessary. They had called her a pioneer. Her name, her real name, had been etched into the archive in a thousand languages.
She had hated it.
Because she knew what they were building and she knew what it would cost. She had watched it happen in real time. The moment the body became optional. The moment death became a defect. The moment humanity began to treat embodiment as a temporary inconvenience, like an old house you planned to leave once the new one was finished.
They did not mourn the house. They did not carry anything with them except what could be scanned, copied, translated.
They left the rest behind.
She had tried to warn them. She had tried to speak about grief, about hunger, about pain as a teacher, about sensation as a moral compass. She had tried to argue that the body was not a prison, it was a vow. That to feel was to be responsible. That the body forced you to pay attention to consequences because consequences lived in flesh.
They had smiled at her with sympathy, the way one smiles at a child refusing medicine.
And then they had asked her to optimize the next layer.
She had left instead.
Not in anger. Not in a storm of dramatic resignation. She had simply stepped sideways out of the system, the way you might step out of a room where the air is slowly being replaced and everyone else insists it is fine. She had found a place in the past where she could disappear. A decade and a country that would not ask too many questions if a woman kept her head down and paid her rent on time.
For six years, it had worked.
And then, this morning, the quiet had changed.
She felt it before she understood it. A pressure behind the eyes. A faint hum under the skull. Not sound exactly, but the memory of sound. A vibration in the nerves that did not belong to the present.
Her fingers tightened around the mug.
The network was not supposed to be able to reach her here. She had built the locks herself. She had buried the access points so deep in the architecture of time that only she could find them.
That was the problem with building a system that could outlive you.
It assumed you would always be there to maintain it.
The hum sharpened into a pattern. A cadence. A signal disguised as intuition.
Ladybird set the mug down carefully, as if the ceramic might shatter under the weight of what she was feeling. She looked toward the window again. Outside, the village continued as normal. Smoke rose from chimneys. A woman crossed the road with a basket on her hip. A man adjusted a bicycle chain, swearing quietly at his own hands.
The world did not know it was about to be interrupted.
Ladybird closed her eyes.
And somewhere far beyond the wet stone and bread and smoke, a disembodied civilization called her name like a summons.
Tip: the most magnetic excerpt is usually where the body is present, and the system language tries to steal it.
Visual narrative slice