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The Day the Carnival Came

Dark, lyrical novella

When a mysterious carnival arrives overnight, a girl discovers that wonder is powered by attention, and children are its currency. As applause becomes a mechanism of harm, she must choose between saving one child at a time, or refusing the spectacle entirely.

At a glance

Complete, in revision
Primary genreLiterary dark fantasy, novella
AudienceAll ages, upper middle grade to YA crossover
ToneLyrical, unsettling, morally precise
ModeAllegorical, psychological, implication over gore
ThemesComplicity, spectacle, attention as violence, quiet refusal
StatusComplete manuscript in revision

Book jacket summary

When a mysterious carnival arrives overnight, Emily believes she has been chosen. At first, the wonder is gentle, lantern light, music that seems to follow her, an invitation that feels personal. But behind the velvet curtains and painted smiles, she discovers a darker truth. The carnival runs on attention, and children are its currency.

As Emily tries to intervene, she is offered impossible choices. Save one child, or remain clean. Speak, and become part of the spectacle. Stay silent, and let harm continue unseen. Each attempt to help only tightens the system’s grip, until she must confront the most unsettling truth of all. Cruelty does not always arrive as violence. Sometimes it arrives as applause.

In a world that rewards spectacle and punishes stillness, Emily learns that resistance is not loud, and salvation is not simple. To refuse participation may not dismantle the machine, but it can leave a mark that lingers long after the lights go out.

Plot summary

Emily is drawn into a carnival that appears like an answered prayer, but its magic is transactional. The more the crowd watches, the more the carnival thrives. The more it thrives, the more children vanish into its velvet machinery.

Emily attempts to rescue individuals, but each rescue teaches the carnival how to adapt. The system learns compassion and repackages it into spectacle. Helping becomes a performance, and performance becomes permission. Emily’s dilemma sharpens into a moral trap. Participate and save one at a time, or refuse and risk everyone.

The ending does not offer a clean victory. Instead, it offers an ethical stance. Emily refuses to make harm easy. The refusal becomes a lingering splinter in the audience, a discomfort that outlives the applause.

Selected excerpt

working draft excerpt

Emily dreamed of music that night, the kind that lived in the body before it reached the ears.

It rose in her sleep like heat, like honey melting in the throat. There were no words, no melody she could name, only a pulse that suggested a crowd and something just beyond it, waiting.

When she woke, the air in her room felt different. Not warmer or colder, but tuned. Like the space had been stretched tighter, as though something nearby was humming.

She lay still and listened.

Outside, the town was quiet, but not its usual quiet. This was the kind that held its breath.

She slipped out of bed, pulled on her sweater, and crept down the stairs. Her father was asleep in the chair, the television dark, his mouth slightly open. The clock over the mantel ticked, steady, indifferent.

Emily stepped into the kitchen and froze.

A smell lingered in the air. Not coffee, not cigarettes, not the familiar scent of dish soap. It was sweet and burnt at the same time, like spun sugar left too long over flame.

She went to the window. The glass was cold under her fingers. She pushed the curtain aside.

There, beyond the yard and the narrow road, beyond the dark slope of the field, a line of lights flickered between the trees.

At first, she thought it was a fire. But the lights were too clean. Too deliberate. They hung in unhurried patterns, like lanterns strung along invisible cords. They blinked and pulsed in colors she could not quite name, as if someone had painted the night with a softer kind of flame.

Emily held her breath.

The carnival had arrived.

She did not remember hearing trucks or generators. There had been no distant clatter, no shouting. The field had been empty when she came home from school. She knew because she had stared across it while brushing her teeth, thinking about nothing in particular and feeling that familiar ache of wanting something, anything, to happen.

Now something had.

She expected fear to follow, but what came instead was wonder, pure and bright. It flooded her chest so quickly she almost laughed. It felt like being chosen.

She glanced back at her father. He had not moved. His breathing remained slow and even, as if the world outside could change shape entirely and he would sleep through it.

Emily turned back to the window.

The lights were still there, steady now. A soft glow moved behind them, like silhouettes passing between tents.

She wanted to wake someone. To grab her father by the sleeve, to shake her mother if her mother were still alive, to call on the neighbors and say, look, look, the thing we have been waiting for is here.

But something in her held still.

The carnival felt personal. Like it had come for her alone.

She made herself a promise, quiet and immediate. She would go at first light. She would be the first to see it properly. The first to step under its entrance arch, the first to feel the music inside her own ribs while she was awake.

She let the curtain fall back into place and stood in the kitchen, heart racing, the smell of sugar and smoke clinging to her hair like a secret.

Then, faintly, from somewhere far beyond the trees, she heard a sound that did not belong in the night.

Applause.

Visual slice